Feb 27

Feb 27 The Fortune Men

Author: Nadifa Mohamed
Publisher: Knopf (US Edition)
Goodreads | The StoryGraph

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Note: Content and trigger warnings are provided for those who need them at the bottom of this page. If you don’t need them and don’t want to risk spoilers, don’t scroll past the full review.

Cover Description

BOOKER PRIZE FINALIST. Based on a true event.

In Cardiff, Wales in 1952, Mahmood Mattan, a young Somali sailor, is accused of a crime he did not commit: the brutal killing of Violet Volacki, a shopkeeper from Tiger Bay. At first, Mahmood believes he can ignore the fingers pointing his way; he may be a gambler and a petty thief, but he is no murderer. He is a father of three, secure in his innocence and his belief in British justice.

But as the trial draws closer, his prospect for freedom dwindles. Now, Mahmood must stage a terrifying fight for his life, with all the chips stacked against him: a shoddy investigation, an inhumane legal system, and, most evidently, pervasive and deep-rooted racism at every step.

Under the shadow of the hangman's noose, Mahmood begins to realize that even the truth may not be enough to save him. A haunting tale of miscarried justice, this book offers a chilling look at the dark corners of our humanity.

TL;DR Review

The Fortune Men is a novel based on a true story that occasionally drags a bit, but ultimately does a lot of things well. Once you hit the second half, though, it really takes off.

For you if: You like literary historical fiction based on real events.

Full Review

The Fortune Men is my last read of the 2021 Booker Prize shortlist. I’m not sure I would have shortlisted it, myself, but I did ultimately walk away glad I read it.

This novel is based on the true story of Mahmood Mattan, who was wrongly accused of brutally murdering a Jewish woman shopkeeper, and the last person to be executed in Cardiff, Wales. Nadifa Mohamed brings to life his gritty character, the way racism and xenophobia touched every part of his existence, his interracial marriage, his dreams as a father, and his heartbreaking (misplaced) faith in the British justice system.

Things I really liked about this book: The dual POVs, which introduced us to the murdered woman and her family, and their own experiences with persecution. The handling of Mahmood’s troubled marriage and how the author gave it such nuance and heart. And pretty much the whole second half, which became more focused and faster paced.

As for the first half of the book, there was just something a bit detached, and slower-paced stretches that I wanted to love but never clicked for me. Pretty much everyone at book club felt similarly, but we all agreed that the ending was so engaging that by the time we finished, we’d forgiven our struggle with the first half.

So while this wasn’t my favorite ever, I would definitely be open to reading more of Nadifa Mohamed in the future.