May 21

May 21 After Sappho

Author: Selby Wynn Schwartz
Publisher: Liveright
Goodreads | The StoryGraph

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Note: Content and trigger warnings are provided for those who need them at the bottom of this page. If you don’t need them and don’t want to risk spoilers, don’t scroll past the full review.

Cover Description

What did we want? To begin with, we wanted what half the population had got by just being born.

It’s 1895. Amid laundry and bruises, Rina Pierangeli Faccio gives birth to the child of the man who raped her — the man she has been forced to marry. Unbroken, she determines to change her name and, alongside it, her life.

1902. Romaine Brooks sails for Capri. She has barely enough money for the ferry, nothing for lunch; her paintbrushes are bald and clotted. But she is sure she can sell a painting — and is fervent in her belief that the island is detached from all fates she has previously suffered.

In 1923, Virginia Woolf writes: I want to make life fuller — and fuller.

Told in a series of cascading vignettes, featuring a multitude of voices, After Sappho reimagines the lives of a brilliant group of feminists, sapphists, artists and writers in the late nineteenth and early twentieth century as they battle for liberation, justice and control over their own lives.

Sarah Bernhardt, Colette, Eileen Gray, Lina Poletti: these are just a few of the women (some famous, others hitherto unsung) sharing the pages of a novel as fierce as it is luminous. Lush and poetic, furious and funny, After Sappho celebrates the women and trailblazers of the past — and offers hope for our present, and our futures.

TL;DR Review

After Sappho is a unique, experimental reimagining of the lives of (mostly) lesbians from history. I think I would have enjoyed it more if I’d known more about the women, but there’s no denying that it’s a feat of a book.

For you if: You’re a queer, lesbian, and/or feminist history buff.

Full Review

After Sappho was my 11th read from the 2022 Booker Prize longlist, and what a unique little book! When they say it “defies genre,” they really mean it. I’m not sure that it was really for me, but I have a boatload of respect for what Selby Wynn Schwartz has pulled off.

The book reimagines the lives of real women — mostly lesbians — who lived in the late 19th and early 20th centuries (Sarah Bernhardt, Isadora Duncan, Virginia Woolf, etc.). Threaded throughout is a choral voice representing the amalgamation of all of them. It’s poetic, it’s imaginative — and it must have taken so much research to create.

Unless you know a lot about at least some of these women, this is definitely a “go with the flow” / “just vibes” kind of book. As per my usual, I wasn’t really able to let go and just sink into that approach. So I think I would have liked this book if I was a bit more of a history nerd. In fact, I think queer/lesbian/feminist history buffs will LOVE this one. Still, I’m impressed and can definitely see why it’s gotten critical acclaim.