Aug 20

Aug 20 A Passage North

Author: Anuk Arudpragasam
Publisher: Hogarth
Goodreads | The StoryGraph

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Note: Content and trigger warnings are provided for those who need them at the bottom of this page. If you don’t need them and don’t want to risk spoilers, don’t scroll past the full review.

Cover Description

A young man journeys into Sri Lanka's war-torn north in this searing novel of longing, loss, and the legacy of war from the award-winning author of The Story of a Brief Marriage.

A Passage North begins with a message from out of the blue: a telephone call informing Krishan that his grandmother's caretaker, Rani, has died under unexpected circumstances—found at the bottom of a well in her village in the north, her neck broken by the fall. The news arrives on the heels of an email from Anjum, an impassioned yet aloof activist Krishnan fell in love with years before while living in Delhi, stirring old memories and desires from a world he left behind.

As Krishan makes the long journey by train from Colombo into the war-torn Northern Province for Rani's funeral, so begins an astonishing passage into the innermost reaches of a country. At once a powerful meditation on absence and longing, as well as an unsparing account of the legacy of Sri Lanka's thirty-year civil war, this procession to a pyre "at the end of the earth" lays bare the imprints of an island's past, the unattainable distances between who we are and what we seek.

Written with precision and grace, Anuk Arudpragasam's masterful new novel is an attempt to come to terms with life in the wake of devastation, and a poignant memorial for those lost and those still alive.

TL;DR Review

A Passage North is undoubtedly a beautiful and impressive novel. At times, it felt a bit over the top to me, but on the whole I liked it and I’m glad I read it.

For you if: You are open to experimental, description-heavy narration styles.

Full Review

A Passage North was my first read from the 2021 Booker Prize longlist, and what a way to kick things off.

The book is about a Sri Lankan man named Krishan. Two things happen to kick us off: he receives an email from an ex-girlfriend, Anjum; and he learns that his grandmother’s former caretaker, Rani, has fallen down a well and died. The novel takes place over the following two days or so, as he travels north to Rani’s village to attend her funeral.

So much of this just feels like a Booker book — heavy themes, lyrical prose … and not a single bit of dialogue in the whole book, lol. There are conversations recounted and remembered, but none of them are written as dialogue. The whole novel takes place inside the thoughts and memories swirling around Krishan’s head — memories of his time at university, of stories and poems that moved him, of his relationship with Anjum, of his grandmother’s fierce denial of her aging body contrasted with Rani’s halfhearted battle with depression and PTSD.

Paragraphs go on for whole pages or more, while sentences go on forever and ever, never ceasing, as though they could keep going forever, as though you will never reach the end, twisting and turning around in his thoughts with momentum, with revision, and just when you think they’re concluding, there’s another clause, another comma, another line taunting you, making you feel as if you’re trapped for all eternity.

You know that feeling when you stay in a really fancy hotel or do something bougie and you’re like this is amazing, but also so extra? That’s how I felt about this book. The narration style often felt overworked, to the point where it was almost distracting. I did sink into it during some stretches, and the audiobook helped a LOT, and it really was a beautiful, impressive book. So I walked away feeling net positive.

If you love lyricism and you’re up for a challenge, give this one a shot. But if you’re not one for experimental styles, proceed with caution.